Eastern Europe

This series explores the tangible and intangible remnants of a region shaped by cycles of resilience, decay, and transformation in a very personal manner. Through a monochromatic, almost abstract lens, the series examines the emotional and material imprints left by history, politics, and, most importantly, everyday life. The works delve into the profound relationship between objects, memory, and identity, generating a narrative where the personal becomes the collective.

Each artwork focuses on fragments, such as farm work coats, tangled wires, broken wheels, and chaotic debris, symbolizing the detritus of a past that continues to resonate. The stark contrast and textured details evoke a sense of dissonance, drawing attention to what has been forgotten or cast aside, while also hinting at potential renewal.

The circular motifs in some pieces suggest entrapment or repetition, reflecting the recurring cycles of societal upheaval and regeneration in Eastern part of Europe. The absence of human figures is meant to emphasize the void left behind by past struggles and to allow the viewer to project their own narratives onto the scenes. Everyday materials, such as shoes, fabric, metal and wood, become metaphors for labour and survival, highlighting the universal yet deeply localized nature of these experiences.

At its core, the series is a meditation on transformation. It invites viewers to reflect on how history, both personal and collective, is preserved in the physical and emotional traces of life. By blurring the line between the abstract and the real, Eastern Europe offers a poignant exploration of the tension generated by collective and personal memory and the enduring human spirit within a constantly shifting world.

All artworks from the Eastern Europe series are unique and are hand printed using the gumoil alternative photographic process.

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