Postindustrial Golgotha
The imagery of a decaying industrial landscape is positioned as a metaphor for humanity’s destructive relationship with nature and progress. The title “Postindustrial Golgotha” draws parallels between the biblical site of sacrifice and the industrial wastelands representing the collapse of human advancement and emphasizing the environmental neglect. Inspired by the concept of the Stations of the Cross the six images are “stations” along a journey of industrial collapse. Each photograph marks a critical moment in the life and death of an industrial landscape, paralleling the suffering of Crist and the finality associated with His crucifixion. The toppled beams and abandoned structures act as crosses, bearing the weight of industrial hubris. This project would focus on themes of ecological ruin, the consequences of unchecked industrialization in Eastern Europe under Soviet influence, and the eventual collapse of systems that humanity once revered as symbols of progress.
This series was shot with a Kiev 6C medium format camera on an expired Agfachrome slide film. Inkjet printed on archival photographic paper.